Lauren Groff on Blending Research and Imagination in Historical Fiction
In an interview with Lit Hub, Lauren Groff talks about researching her latest novel, Matrix, whose central character is the medieval poet Marie de...
Use a Cinematic Approach on Your Opening Scene
You don't have to write for the movie to make your work more cinematic. In a recent post on her blog, C.S. Lakin shares...
Clarity is Your Job
On the off-chance you think you're a misunderstood genius or a prophet who won't be recognized in their own time, Matthew Norman shares the...
When Unlikeable is the Least of Your Concerns
In a recent blog post, writer Mary Carroll Moore offers advice for writing unlikeable characters.
Moore has spoken with both writers and readers who have...
How to Build Mood with Genre, POV
In a post on the Write Practice blog, Joslyn Chase offers advice for creating atmosphere in your writing. "There are many literary devices and...
7 Ways to Let Your Supporting Cast Shine (But Not Too...
In a guest post on Well-Storied, writer Cady Hammer shares how she developed the secondary characters in her fantasy novel Chasing War. Hammer suggests...
To Angst or Not to Angst?
In the newest edition of their podcast, the Writing Excuses hosts examine the fourth element of the M.I.C.E. (Milieu, Idea, Character, and Event) Quotient:...
Don’t Send Your Readers Up the Down Staircase
Outside the Harry Potter novels, writers need to avoid creating rooms and buildings with interiors that couldn't possibly exist. In a post on Writer...
How to Use Plot Twists to Keep Readers Guessing
You don't need to write mystery novels or thrillers to leverage a good old-fashioned plot twist to throw your characters and readers off-course. And...
Does Your Character Have to Choose to Play by the Rules?
Discussing another example of the "hand in your badge and gun" moment that is pivotal to stories following the "hero's journey" path, Steven Pressfield...
