How Side Quests and Subplots Can Beef Up Your Story
Side quests aren't just for D&D or WOW - in a post on Well-Storied, Kristen Kieffer says that add-on goals or other distractions from...
How to Crack into a Character’s Head
Sometimes writers are lucky enough to have a character (or three) arrive fully formed in our heads. We know their wants and desires, their...
The Joys of Big Casts
Writers are often told not to feature too many characters in their novels. You'll find it hard to keep track of them all. Readers...
Bring Your M.I.C.E. Together for a Satisfying Story
In the latest edition of their podcast, the Writing Excuses hosts have their final discussion about the M.I.C.E. (Milieu, Inquiry, Character, and Event) elements...
Six Great Ways to Open Your Story
As writers, we obsess over introductions. Introducing our characters, their goals and conflicts, our setting and story world. But one element many writers fail...
Your Characters’ Relationship with Money is Important, Too
A character's relationship with money is one of the most subtle but important traits you can develop, yet it's often the most poorly written. Many...
Don’t Make This Mistake in Your Dialogue
There's nothing like cracking dialogue to keep readers enthralled by your story and nothing will throw them out as quickly as crappy dialogue. Clumsy,...
What Makes Quentin Click?
In a post on The Script Lab, Kevin Nelson takes a look at Quentin Tarantino's most iconic scripts to find out what makes them...
Tips for Keeping Your Characters in Character
In a post for Writer's Digest, the magazine's Content Editor Michael Woodson offers his advice for fixing characters that lack substance. "I call this...
When Your Story is Driven by Big Events
In their latest podcast, the Writing Excuses hosts examine the next element of the MICE (Milieu, Idea, Character, and Event) Quotient: Event. They explore...
