The movie opens with our heroine in a car. She’s smart, smart enough to be the career woman without time for a man. So this career woman needs a change. Does it matter? Ok, she’s a buyer. No, I don’t know what a buyer is. Ok, she’s a stock broker. Everything has been done before. Ok, she operates a division of a Fortune 500 company and we can have wacky scenes with strange co-workers, including the fat guy with the donut craving. Yes, fat guy with donut. No, we are not going to have a funny heroin addict. This is a romantic comedy. Yes, I know that you were funnier when you were stoned. Yes, Ralph over at FOX is funny and he’s a junkie. Thank you. No, we aren’t making her into a junkie. No, we aren’t showing her co-workers shooting up. She’s got to play off of these people. She can’t play off a guy staring at his own shoe looking like he borrowed his skin.

So the woman—what’s her name? Who cares? How should I know—Kelly. Her name is Kelly. I—what do you suggest. Jeanine. Ok, Jeanine. Now Jeanine takes a—of course, why not Esperanta? We got some hot Hispanic actresses. Sure they DO romantic comedy. Why wouldn’t they do romantic comedy? No, we don’t have anyone named Burrito. Take care of that cough. Thank you. Now Esperanta—yes, Esperanta—because Hildgaard is a stupid name. Hildegaard? You want to make a romantic comedy where the main character is Hildegaard? Esperanta. Esperanta. No. What did you have in mind? If we get her then we can change the name. Not before. Working name. Working title.

Esperanta. No sir, it’s not a drink. I’m not going to have a main character named Hildegaard and that’s—Esmerelda. Like Don Quixote? You’ve read Don Quixote?

#

This woman is sitting in the airport and a man starts talking to her. His wife is in a coma. That should give us something for the break up scene in act 3. But he’s talking to her and…horses! Let’s let him talk about horses.

He’s really into horses—they’re a metaphor for his entire life. Horses are the pinnacle of creation. He’s an insurance agent. He wanted to be a rancher. I don’t know what ranchers do. Something with cattle? So the rancher is going to Paris because he needs to get away from his wife. The kids are at home with a nanny. The wife is in the coma. Maybe the wife is dead? No? You like the coma? Right. He leaves them with a sitter. I don’t know what kind of sitter—maybe a nanny or an au pair, but not a British one.

Ok, he’s abandoned his children. They don’t know that he’s on a plane to Paris. I don’t think that the audience is going to go for a guy who abandons his children. She’s going to Paris on a business trip. What? Are you kidding? That movie did great. No. I don’t believe you. How bad? Maybe everything can be inside with stock footage.

Ok, fine. So they are both going to Bismarck, South Dakota. Why not Fargo? It’s got name recognition. Bismarck. And they are going to see the Devil’s Tower? But…are you sure it’s in Washington? Mount Rushmore? Why don’t we have them go to Sturgis. It can be a romantic biker movie.

So, she’s going to Bismarck on business and he’s going to get away. But what’s in Bismarck? Paris is in Paris. Tourists love it. I don’t know. They sit around in cafes sipping wine, getting laid and going to the Eiffel Tower. No, I’ve never been there. I’ve never been to Montreal, either.

So the woman and the man talk at the airport terminal and they fuck in the airplane bathroom. You wanted edgy, didn’t you? They’re bikers. You said they were bikers. Ok, fine they aren’t bikers. The woman is a division head and the guy is an insurance agent with a thing for horses. They fuck in the bathroom because that’s what everyone’s been wanting to do since flying began. Yes. Seventies revival is very big. Xaviera Hollander was just advertising her talk show on CBS.

Ok, they fuck in the bathroom and the guy is saying that he loves her and she hates herself, but she’s going for him. We don’t have to explain. Because it’s a fucking movie not a Freudian paper. She wants him because somewhere somehow someone wants you. Even if it’s once in a decade, it happens. Someone finds you hot. Not you, sir. No, I wasn’t implying. It was a general you. Not General Yu, although I hear that he’s very nice. Royal you. Like royal we, but you. Second person plural.

They meet and they fall for each other because this crap happens. Not as often as we’d like. People meet fuck buddies but they hardly ever meet and fall in love which is probably why they get married so they don’t have to keep looking. No, I’m not saying anything about you. I know you aren’t married. I know. No, I don’t think that you’re gay. What does it matter? No one’s been gossiping about you. I’d wish you’d just…no, sorry. No, I’m sorry.

Ok, they are in the bathroom. Wait. No. They are on the ground and he gets her phone number. He makes like he needs to call because he doesn’t know anyone in Bismarck. She tells him that she doesn’t know anyone in Bismarck, either. It’s one of those charming flirty deals where they act all cute and shit. All cute and shit. It’s one of those phrases the kids like. Won’t let it happen again.

They meet again, or he keeps calling her; in a movie, stalking is cute. So he charms her and they get together again. Then they have the montage. If this was in Paris they’d walk around Paris laughing but I’m sure there’s something in Bismarck. I hear it has nice fir trees. I’m not being sarcastic. The montage ends with her telling him that she’s married; he’s relieved and tells her about the wife in the coma, but really she was lying about being married because she didn’t think that she wanted to see him again. She said she was married to let him down gently, but when he says he’s married she gets mad. They fight and she runs away.

And he’s calling her again, trying to explain. Meanwhile the children are calling him wondering when he’ll come home. So he goes to the airport, after leaving one final message with her. He’s despondent. Just as he’s bought his ticket home, he sees her running to him and they embrace and he changes his flight to Paris and they fuck in the bathroom again.

Yes, Paris. They don’t have to see Paris. The movie can end with them in the airplane bathroom. Because the airport bathroom is dirty. Airplane bathrooms are cleaned after every flight? There was this one non-stop Los Angeles to Chicago with a bathroom that I KNOW didn’t get soiled before I got to it.

What about the kids? Forget the kids. This is a love story. Children are accessories. If the child actors are cute enough they can have scenes. Maybe we can write something that says it’s all right. Mommy comes out of the coma and doesn’t mind her husband running off to Paris. Yes, Paris. We have stock footage, we can use it. We have Parisian stock footage without marching Germans, right? Are you sure?

 

# # #

Romantic Movie by Tim Lieder
originally published in the Spring 2012 print edition

 

 


Tim Lieder has been published in Silverthought, Everyday Fiction, Shock Totem and Big Pulp. Tim also owns and operates Dybbuk Press, through which he’s edited and published eight titles including God Laughs When You Die by Michael Boatman and Teddy Bear Cannibal Massacre. His latest title is a multi-author horror anthology based on the Bible entitled She Nailed a Stake Through His Head.

For more of Tim's work,
visit his Big Pulp author page

 

This feature and more great
fiction & poetry are available in
Big Pulp Spring 2012:
The Biggin Hill Duel

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