I almost missed it. Best opportunity I’ve had for months and I was half asleep in my car, fretting over unpaid bills.

I heard the thump of her falling, but didn’t register it. It was the familiar sound of her cursing that clued me in and I looked up to see I’d got a winner. Jessie Payne, stark boob naked, and no-one in sight to take her but myself.

She was in a bad way. I could see that as I advanced on her, camera clicking. I circled round to get a full frontal, took some close ups while she struggled upright, then backed off to pan out and get some background: the street, her red front door with its famous number 69 glistening in the rain. OK, so I backed off to steer clear of her, too. She could be vicious when she was out of it—and whilst I could have stopped her wasted frame with my little finger, I didn’t want her getting hold of my camera.

When I’d covered every angle, I took out my phone.

“Operator,” a woman answered. “Fire, police or ambulance?”

“Ambulance,” I said as usual. “Jessie Payne’s off her head outside her house. Hypothermia, toxic poisoning, getting run over—you name it.”

“Stay on the line please. Your name, sir?”

I broke the connection. I’d stay until I heard the siren, but I didn’t have time for more. It was just gone four a.m. and I needed to get these photos to the highest bidder.


It was near seven when I finally turned into my driveway. I pulled up to the garage, turned off the engine and sat there, too tired to get out of the clapped-out Ford I’d bought two months back.

“Finally discovered the Lotus is too flashy, eh?” Ted had joked. “Celebs getting jealous when they see you coming?” It was an assumption I encouraged by keeping the garage door shut and the Fiesta in the drive. The only people who knew the Lotus wasn’t inside were my wife and the kids, and only my wife knew why. Just like she knew why we no longer had a 42” flat screen TV or Bosch music centre. But even she didn’t know about the house—and if I could get a few more photos like tonight’s, I was hoping it would stay that way.

One of the few advantages of a Ford Fiesta however, is that it’s too uncomfortable to sleep in, and after a few minutes I got out and stumbled round the side to the back door. A thin line of pale grey was just beginning to lighten the sky, birds were chirping in the damp air and I paused at the corner to absorb the moment, feeling almost good. If I was lucky, I thought, I could even grab a cup of tea before the kids came tumbling down for breakfast.

Instead I found myself pushed up hard against the drain pipe, face crushed into pebbledash, someone’s hand tight around my throat.

“Wha-a-a,” I said.

I wasn’t too worried. I imagined this was just a warning—Mickey’s pals reminding me that the debt still hadn’t been paid. They knew as well as anyone there was nothing to be gained from doing me serious harm. I was in the hands of debt collectors, for christ’s sake, not drug barons. But as my eyes got past the spots and I saw his face, I changed my mind: I’d never seen this guy before.

He was medium height, medium build and medium age with an office worker’s face—all metal spectacles and furrowed brow. But what he lacked in muscle he made up for in rage.

“Le-me-go,” I said, my breathing getting harder. “Tel-me-wha-u-wan.”

“I’ll tell you what I want, you cold-hearted bastard,” he hissed. “I’ll tell you what I want all right.”

But he didn’t. Instead he stood there, staring at me, until I went light-headed and my legs started to buckle.

“Shit.” He let go and half-supported my fall onto hands and knees, then stood over me while I gulped in air. “Shit. I’m sorry. I didn’t mean to…”

“Didn’t mean to what?” I staggered upright, hands ready, head poised to nut him. But instead of trying to attack me again, he took a furtive look round that would have been funny if he hadn’t just killed my sense of humour, and said:

“We need to talk.”

God help me if it wasn’t contagious. Looking back towards the kitchen door, holding my breath in case the light snapped on, I murmured, “Not now. Not here. I’ve got kids.”

“I’ve got kids,” the man said bitterly. “But no-one gives a shit about them.” A look came into his eyes. It was hard to see clearly in the dawn light, but I’m a professional photographer. I make my living out of the human face—or used to before the mobile phone cowboys flooded the scene—and I trusted what I saw. This guy’s eyes had a touch of madness in them, along with an edge of desperation that made me wish him very far away.

“How about lunch time,” I tried. “Down the Queen Anne.”

He shook his head. “I need to talk to you now. Here. In private.” Adding, bizarrely, “I want to do a deal.”

“Ha.” I rubbed my throat. “Strange way to go about it.”

A light snapped on round the corner. Ella had come down to start breakfast—and Ella’s ears were of the sensitive kind. It would be better to humour the guy than have her witness another scene. I jerked my head back the way I’d come. “All right then, but not here. Come into the garage.”


The garage was mostly empty, the space released by the Lotus not yet filled with broken furniture, old toys and the other junk I was doing my best to keep at bay. He looked round, distracted.

“Where’s the fancy car, then?”

“In for a service. Now what do you want?”

“I want…” He stopped, his rage suddenly uncertain. “That is, I want you to…” He closed his eyes then snapped them open and stared into my face. “I want you to help me kidnap my daughter.”

I know you’re not supposed to laugh at lunatics, but I couldn’t help it. When I’d finished I perched my bum on the workbench, spread my arms so that my right hand fell near the wrench, just in case—and prepared to enjoy the show.

“And who’s your daughter?” I asked, “when she’s at home.”

“She’s never at home,” he answered, “as you bloody well know. My daughter’s Jessie Payne.”

That wiped the smile off my face.

“I was going to do it last night,” he continued. “She was there on her own for a bloody miracle. All the other filth had left by three. It would have been perfect. Except for you—bloody Nat Smith—fucking paparazzo extraordinaire—the man who always gets his shot. The man who can’t leave my daughter alone. And now it’s too late and she’s back in hospital again and who knows when I’ll get another chance—and it’s all your sodding fault.”

I blinked. I’d been accused of a lot of things in my time, but preventing a kidnapping was a new one. That, though, wasn’t the only odd thing going on here.

“Let me get this straight. You’re Jessie Payne’s father?”

He didn’t answer, which was good enough for me.

“You’re the guy who walked out on her when she was just a kid? The estranged father who ran off with another woman, leaving her and her family—your family—without two pennies to rub together? The arsehole who wanted nothing to do with her? And now you want to kidnap her?”

He didn’t seem disturbed by my way of putting things and suddenly it made sense. An arsehole like him would be interested now she had money. He probably wanted to force it out of her before she died and left it all to the local horse dealer. But why the hell did he think I’d play along? Then, before I opened my mouth to ask him, that made sense too.

“You think I’d do anything, don’t you?” Now it was my turn to get angry. “You think we’re all just scum—paparazzi filth with no morals at all. You think I’d—”

“Morals,” he interrupted. “Morals. You have the—the nerve to stand there talking about morals, when only three hours ago you were taking advantage of an innocent girl. Instead of helping her in her hour of need, you were taking photos of her—of her fanny. Don’t pretend to me you’re not the scum of the earth. My god, I’ve seen gutter rats with more integrity.”

“I called the ambulance.”

“Oh, and that makes it so much better.”

“Yeah, it does, actually.” He wasn’t going to get me on the defensive. “Or did you think I’d just let her die on the pavement?”

“And lose the fatted goose? That’s not morals, you—you…” He couldn’t find a word bad enough. “The only pure thing about you is your self-interest.”

“Whereas you’re white as the driven snow. Only out for her good.”

“Precisely.”

I sighed. This was going nowhere. “Whatever.”

“Look.” He shut his eyes again and massaged his face. I knew how he felt. “Look,” he repeated. “We’ve got off on the wrong footing. Let’s start again.” He looked around and spotted the garden chairs folded neatly against the side wall. “May I?”

I waved my hand expansively. “Be my guest.” So long as I got some photos, I didn’t mind what he did. The more surreal the better.

“My name is Thomas Wainwright,” he started. “Not Ted Payne. And if you think I abandoned my kids by choice…” He broke off. “What do you care? Why let the truth interfere with a good story—all those lies that sell so well.”

“My camera doesn’t lie.” I was touchy about that one. “I didn’t make her walk around outside in the nude. I didn’t make her off her head on drugs.”

“Didn’t you?” He fumbled inside his jacket and for a second I thought he was packing a gun. I picked up the wrench and started forward.

“No!” He pulled out his hand looking scared and surprised, as if I’d no reason to be wary. “A photo. That’s all. Inside my wallet.”

“I’ll get it.” This guy was too much of a loose cannon for me to take any chances, but it felt weird putting my hand inside his overcoat. They did it in the movies all the time, but the movies never made it seem intimate—vulnerable—they didn’t give you the warmth of his body, the pounding of his heart. Christ, the next thing I knew he’d be having a heart attack. I handed the wallet over to him, backed off and put the wrench down. I’d called enough ambulances for one day.

He took out the photo. It was of a young woman—dark hair, good skin, pretty smile—a younger Jessie maybe, or an alternative reality version where she was healthy and fit.

“My daughter Anna,” he explained. “Anna isn’t famous. That’s because she’s a maths genius.” His voice went proud as he said it. “Maths is not a sexy subject. The press leave Anna alone. Anna gets on with her life. Anna has not been pushed into drugs and anorexia and self-harm. Anna is all right.”

He grinned at me, a twisted sneer that I could see clearly now the light was beginning to filter in. “Still think you’re not responsible?”

I tensed to answer then relaxed again. What was the point? What did he care that if I didn’t do it, someone else would, that we all have to make a living?

“So, you’re her dad.” I brought him back to the point. “And now…?”

He shook his head. His smile was bitter. “Seeing your dad again after seven years doesn’t make for an instant rapport. Doesn’t make you run to him for sanctuary when the going gets tough. I thought I could use my living abroad—the fact you guys didn’t know me—to give her shelter from the storm. I thought I could be her safety net…”

I nodded, starting to understand. “Only your safety net was full of holes.”

He shrugged. “I hadn’t calculated how vicious it would get. How remorseless. How impossible it is to give fifty photographers the slip at once. Especially when she’s out of it—which she always is these days—pigheadedly determined to ruin everything, just like her mother…” He stopped, took a deep breath. “So now, when I’m trying to help her, she’ll have nothing to do with me. I never dreamt of that.” He stared at me. “And I hadn’t calculated on you.”

I held his gaze. “What she needs,” I suggested finally, “is rehab.”

“If she stayed there,” he nodded, with a ghost of a smile. “Which she doesn’t. She’s been to rehab ten times in the last two years. I don’t think that’s quite how it’s supposed to work.”

It was a fair point. “So this kidnap…What exactly did you have in mind?”

“That you turn a blind eye. That you see nothing. That you keep out of the bloody way for thirty bloody minutes so I can get her off to safety. I want to get her somewhere quiet,” he explained, a pleading note entering his voice. “I want to get her into a rehab she can’t check out of—to get her healthy again and give her a chance to think things through. I can’t change her, I know that. If she wants to self-destruct, she’ll self-destruct. But I don’t believe she wants to. I can’t. I have to believe she just doesn’t know any better, that she’s too caught up in it to see her way clear. She’s my daughter, for god’s sake. I have to do what I can.”

If the speech was for me he was wasting his time. Every day I saw the pressures on the people I tracked down, I prayed it’d never happen to my kids. Lauren was thirteen and reassuringly normal. Kitty was ten: precocious, pretty and desperate to be a pop star, a film star, any kind of star so long as she shone. To date I’d refused to pay for acting lessons, singing lessons, elocution lessons, deportment lessons and modeling shoots. I let her do football because, let’s face it, no matter how good a girl is, no-one gives a shit. So far it was working—no fame, no glory, no drugs. Which brought us back to Jessie Payne.

“And if I help you? What’s in it for me?”

He stared at me, his fingers clenched. I reached back for the wrench.

“How about the knowledge you’ve helped save a life?”

“I got that tonight. It doesn’t pay the bills.”

If looks could kill I’d have been long dead, so his just bounced off me. Then he nodded and opened his wallet. “How much?”

“The scoop. I want access to her during her ‘kidnap’, all the photos I can take, and I want the exclusive afterwards.”

“No.” He didn’t even think about it. “The whole idea is to get her away from all that. How do you think she’ll recover with—”

“I can be discrete,” I snapped. “Telephoto, long lens, hidden camera. She doesn’t even need to know I’m there.”

“And see your photos of her recovering when she comes back out? That would really keep her on the straight and narrow.”

I could see his point. I swallowed. “You can have the veto.” I’d only offered that once before. “Just give me enough to prove I was there—normal shots of her that set the location, coupled with the exclusive. Nothing more.”

He thought about it and I knew I had him hooked. The sun was angling through the side window now, dappling him with a patchwork of light. Digital would come out too dark, but I still had high grain film in my manual.

“OK,” he said at last.

“Good.” I got off a couple of shots before he could react, then another few as he stood up in astonished rage. “Smile for the camera,” I told him. “I’ve just sealed our deal.”

Then I picked up the wrench, just in case, and saw him out.


It was late, dark and cold, and my back ached. So far, so much the same. For once though it didn’t bother me. Instead of feeling grey with tiredness, head pounding from too much coffee, I felt energised, hope pulsing through my veins. If this worked—and it would work—I was on a ticket to more than catch up. I’d be home and free.

I looked at my watch—3:30 a.m. The others had peeled off to catch the night clubs and only I remained, doggedly doing what I always did. As far as the others were concerned, it was business as usual. Except that tonight, bang on time, I heard a car coming round the corner. She’d actually had the nous to do as she was told.

One of Mickey’s lads half-saluted me as Jessie got out, then drove off quickly, money on the side, no questions asked. That should keep Mickey off my back for a while. Jessie teetered on the edge of the pavement, looking around as though expecting someone—and right on cue her father drove up. He got out, dressed all in black, hat down over his eyes, opened the back door and began to help her inside.

Jumping out of the Ford, I started shooting: one of Jessie looking out the back window, another of the registration plate covered in dirt—then one of the back of Wainwright’s head. He jerked round at that, angry and afraid.

“No problem, mate.” I showed him the take—black on black—it could have been anyone. “I need this, you know I do.”

We’d been over it already. Mr. Thomas genius Wainwright had just wanted to snatch her—no frills, no plan B. Fine, so long as you didn’t mind kidnapping charges if things went wrong. I minded. Instead, I’d argued, we should set up a bogus deal and get her to step in the car of her own free will. Make her think she was heading for a trade. As for the photos—I didn’t just need them for an exclusive—I needed to cover myself for the police. Nat Smith always got his picture. Then Jessie disappears and suddenly I’ve got nothing to show? They’d be laughing all the way to the interrogation room.

Wainwright stared at me a moment, not liking it, but knowing it was true, then he nodded curtly, got in the car and drove off. I threw myself onto the pavement to get a dramatic angle as if I’d been knocked over, and took a few more of wheels and the back window and nothing that meant a damn, then got up, brushed myself off, and sauntered over to my car.

“Police,” I said after I’d dialed 211. At least it made a change from ambulance. “Something funny’s going on.”


The next week was the hardest. Long meaningless nights where I had to look bewildered, haunt Jessie’s bars and clubs, and generally wander around like a man who’d lost his cause. Meanwhile Jessie would be doing cold turkey, shivering and shaking, erupting bright red spots on a dead white skin, moving aimlessly like a jitterbug on ice, stopping only to throw up until her ribs were bruised and her stomach raw. It was the stuff of valuable photos, photos the discerning British public would have paid generously to see. And not just the British either—her last CD had won a Grammy and she was just beginning to break into the States. Those photos would have made my fortune. Instead I’d got nothing but a promise, and only payment for the ‘get away’ shots to keep Mickey off my back until the next stage.

I knew I had to do it. I knew that although the police had decided to believe me for now, the other paps would be watching closely, not quite believing I didn’t have something up my sleeve. Convincing them I was on a losing roll was what this week was all about, but it was still hard to look despondent—especially with Ella.

Ella had heard the ‘good times are just around the corner’ line once too often. It was going to take more than my latest plan to bring a smile to her face, so I’d decided not to tell her. I was going to wait until this was done and dusted, then take her and a bank statement out to dinner in the reclaimed Lotus, and show her the balance as the waiter opened the champagne. Then I’d take her and the kids for a holiday. A proper holiday where the only photos I took were family snaps. Somewhere the stars never went so I wouldn’t be tempted—maybe camping in North Wales. Lauren would love that and Kitty was still young enough to be knocked into shape. Just. Or maybe we could do one of those Parc things where Ella could enjoy some pampering. The kids could go off on their bikes or whatever they did these days, and I could sleep. Sleep. Imagine that. In fact I did more than imagine it, I did a lot of it for real, catching up while I mooched outside Jessie’s old haunts. I think it was that as much as my acting skills that persuaded the others I was on the level. How could I sleep if I was sitting on the deal of a lifetime?

How could I not, more to the point? I’d been running on empty for too long, black nights fading into grey dawns so that the time of day meant nothing more than a backdrop to the shot. Sleep had been a few minutes snatched behind the steering wheel, interspersed with a deep daytime coma in an empty bed—and Ella and I hadn’t had sex since before I could remember.


The deal was that Wainwright would ring me before the week was up. If he didn’t, I’d go to the police with my other photos and the story. I was worried he’d call my bluff, but he was a man too close to the edge to work out a double deal—either that or he was just plain stupid—and he called on the sixth day, catching me outside Maddison’s as the early evening crowd went in.

“Come to the service station on the M40 tomorrow,” he told me. “The one near Angleford. I’ll meet you there at noon.”

“How is she?” I asked. “Where are—” But he hung up on me, just like a pro, and for a moment I had a bad feeling. I knew he was her father, I’d checked up on what he’d told me, but that didn’t mean he really cared. What if it was all a con? What if I was walking into something far bigger than I’d ever meant to handle? I put the thought to one side: not even Johnny Depp could act that well. Besides, he hadn’t told me where at Angleford—northbound or south—whereas real kidnappers paid attention to that kind of detail. No, he was amateur all the way. The fact that it was amateurs who made the biggest mess of things was an aspect I decided to ignore.

I waited at Maddison’s until all but the dregs had left, then drove straight there. My cred had lowered a lot over the last week, but I might still get tailed if I left London for no obvious reason just as the celebs were starting their day. Besides, it meant I missed the traffic, getting an easy run through a cold clear night, and I turned into the northbound service station just after 6:30, ready for a full English breakfast. It wasn’t as good as a truck stop but it did the business, and by eight I was back in my car, seat reclined, back complaining, to catch up on some shut-eye while I had the chance.

I woke at 11:30, the alarm pinging into my dreams, the sun slanting down into my eyes. I got out, kneaded the kinks from my body, then looked around, seduced by the stillness of the day. The skies had stayed clear, turning powder-blue with that hint of yellow that comes with spring and the warmth in the air bounced off the tarmac straight into my bones. For a moment I felt almost good; then a car started up nearby, blasting exhaust fumes into my face, and I headed off to the toilets to clean up before meeting Wainwright.


He tracked me down on the overpass, five minutes late.

“There you are.” There was a scold in his voice. “I couldn’t find you.”

“Then next time be more specific before you hang up.” I turned round from the window and leant against the hand rail, watching him for clues as to how it was going. “Where is she?”

“I’ll drive you there.”

“No.”

He looked put out. “Why not?”

I sighed. “Firstly,” I showed him my middle finger, childish but satisfying. “Because I don’t trust you not to take off and leave me stranded. And secondly,” my index finger joined the first one, “because I have a strong suspicion that you’ve got some idiotic idea in your head—like blind-folding me to try and keep the location secret—am I right?”

I was right. Jesus, this guy had planned the whole thing via the movies.

“Were you going to stuff me in the boot?” I asked out of curiosity, “or stick a sack over my head and wave at the police as we drove past?”

He blushed, then shrugged weakly. “Actually, I was going to lie you down on the back seat and cover you with coats.”

“At least I’d have been warm.” I shivered. The overpass was not where they wasted money on heating. “But you wouldn’t have liked the result.”

“No?”

I shook my head. “I get travel sick.”

He looked surprised then snorted with laughter. “I never thought of that.”

“Look.” I took advantage of his mood to try and lay some ground rules. “You don’t trust me and I don’t trust you, that’s the way it is. But although you think I’m the scum of the earth, actually I’m just an ordinary bloke doing my job and if you play straight with me, I’ll play straight with you. Get it?”

“And if I don’t?”

I shook my head. “You don’t want to go there. Believe me.”

Apparently he did, because he stopped playing silly buggers, agreed to me driving, him navigating—and told me to head for Sutton under Wold, a little village in the Cotswolds.


At first we drove in silence. I was pissed off at having hours added to my route when I could have come straight up the M4, and I guess he thought he had nothing to say to a man like me. After a bit though, curiosity got the better of him.

“So,” he started. “What makes a man want to be a paparazzo? Fame? Glory? Money? Getting to see all those fresh young tits?”

I swerved onto the hard shoulder.

“I can take you there in one piece, or I can take you there in bits,” I told him. “Your choice.”

He shrank back. I haven’t been in a fight since my twenties, but he didn’t know that. The kind of man he thought I was, he’d believe every word.

“All right.” He looked away and I swung back into the slow lane. He was too nervous to keep quiet for long though, and he started up again after less than five miles. “Seriously, I’m interested. What made you choose that as your career?”

“Bankruptcy.” Not a lot of people know that. It’s not something I’m proud of. But if this guy was going to keep asking stupid questions then he could have the stupid frigging answers.

“Bankruptcy?”

I sighed. “I owned a little photographer’s shop in Wandsworth. Did all right until digital came along, then custom dropped off big time. Why pay me a fortune for a wedding when all their friends could swap snaps for free? With fewer customers my prices had to go up until…well.”

“So, taking photos for the tabloids was the only other career path?” His sarcasm was heavy. I ignored it.

“The only other quick one. I had a wife and two babies to support and a house that was going to be repossessed if I didn’t do something smartish. I wasn’t the only photographer out on the streets—what happened to me was happening all over the country. The job centres were crawling with us. Then I happened to see Jimmy Hudson puking up in a back alley, on my way back from the dole queue. The cheque I got for those photos paid the arrears on the house. After that…” I trailed off. After that I hadn’t thought about it, just got stuck in and paid the bills. And created new ones for a while, when life was good.

“After that, you never looked back.”

I didn’t need to look at him, I could hear the sneer.

“Those photos I took of Jessie,” I said, keeping my cool. “The ones of her wandering around naked. How much do you think I got for them?”

“In the thousands?” he guessed after a moment. “Maybe two? I don’t know.”

“You don’t, do you.” I sped up, angry. “You haven’t a clue. Try two hundred and fifty and see where that gets you.”

“Two hundred and fifty? For my Jess!” It would have been funny if it hadn’t been insulting. He was as put out about how little she was worth as he was about the pictures. “But—why?”

“I think it’s called economies of scale—but you’re the smart guy, Mr. Wainwright, you should know about that. All I know is that when I started out in this game, your guess would have been closer. But with the cameras out now, any Tom, Dick and Harry can join in the game—and they do, believe me. The mags are inundated with so many photos they don’t know which to choose from. Quality no object. Subject matter not much object either. Give them the photo and they’ll make up the headline. And you know what, Mr. Wainwright—the Great British Public will buy it. They can’t buy enough. Without them, people like me wouldn’t exist and you know it. But with them, if I quit the game another twenty will take my place—and you know that, too. So I had two choices—get out, or specialise. I had a run of luck on Jessie Payne and—well, here we are. You’re trying to save your daughter and I’m trying to save my marriage, which sure as hell won’t survive another bankruptcy—not to mention save my neck from some loan sharks whose understanding is very close to running out.”

He was silent for a while and I was glad of it. Thirty miles down the road though, he carried on as if we’d only just stopped talking.

“If you changed careers,” he asked, “what would you do?”

I laughed. I couldn’t help it. He spoke as if it were easy.

“I left school at sixteen with Art and English,” I told him. “I guess if I’m lucky I might stack shelves.”

“What about films? TV?”

“What about physics GCSE before they even let you touch a camera?” I shook my head. “Thank you for your concern, but you don’t exactly have a great pedigree when it comes to providing for your kids. How about you sort out your problems and I’ll sort out mine.”

He shut up for real after that, and twenty minutes later we hit Sutton-under-Wold.


He directed me to a small cottage about three miles past the village, set back from the road. There was no sign of a car, which meant that given rural bus services she was pretty much stranded—unless she walked. The thought made me smile.

“Nice place,” I said. It was, too, with that soft Cotswold stone, sash windows and a cottage garden. Everything but the thatch roof.

“Yes.” He was nervous again now. “Just wait here a minute while I go and prepare them. I haven’t told her you’re coming and—”

“Them?”

“Her therapist. You don’t think I’d leave her here on her own, do you?” He looked so shocked my fears about any double dealing faded away. This was a father who cared. One thing was bugging me though.

“Posh country cottage, private therapist—this must be costing you a bomb. What kind of accountant are you? Head of the Fortune 500?”

“I re-mortgaged my house if you must know. And my business. Whether this works or not, I shall almost certainly lose everything.” He smiled tightly. “Strange, eh, Mr. Smith. Your marriage can’t risk another bankruptcy, whereas my conscience can’t survive my staying solvent.”

It was a good line to walk out on and he made the most of it, slamming the car door behind him and walking up to the house without a backward look.

I followed him into a large kitchen-cum-living room where Jessie sat in an old wooden rocker by the fireplace. The afternoon had warmed up pretty well, but she’d got a blanket around her shoulders and a fire in the hearth. She was stick thin, her skin white and blotchy, her wild black hair in greasy rats’ tails. But her eyes looked alive for the first time in a long while, and as she saw me a smile played on her face.

“Well, well, well. If it isn’t Nat Smith,” she greeted me. “I sure am pleased to see you. Sit down, Nat, and tell me the news.”

Her dad was put out. He’d been worrying how to explain bringing this pariah into her life, and here she was greeting me like a long lost friend. I felt for the guy, but not much. I’m only human. Rubbing someone’s face in their preconceptions is pretty satisfying—and it was about time he realised that the star/paparazzi link was more than parasitic. You don’t photograph someone for five years without building up a rapport.

Our chat was superficial though, soon petering out under Wainwright’s awkward attempts to join in. Whatever his and Jessie’s relationship was, it wasn’t easy. After a bit, Jessie sighed, turned to him, and came out with it straight.

“Dad, do you think you could give us some time together? To reminisce? I know this isn’t really your scene.”

“Oh.” He looked hurt and relieved in equal measure. “Um, sure.” He sounded anything but. “I—er—I need to…I’ll just go and touch base with John.”

He got up from the kitchen chair, hesitated, looked as though he wanted to say more then turned and left. Too late, I understood. He hadn’t wanted to say something, he’d wanted to do something—touch her, or kiss her, or hold her hand—but he didn’t dare, too scared of her rejection. I thought how I’d feel if Kitty started treating me like that and suddenly I felt sorry for the bugger.

As soon as he was out the door Jessie took a packet of fags from under her blanket and lit one with trembling hands.

“John?” I asked.

“My therapist.” Her tone said it all. She took several strong sucks, then let the smoke trickle out of her nose and leant forward.

“Get me out of here, Nat,” she said. “Man, I don’t care how you do it, but for fuck’s sake do something. I’m dying in here.”

“You were dying anyway,” I pointed out. “At least lung cancer’s slower.”

“Prude.” She puffed smoke in my face. “You know what I mean.”

“No,” I said.

“No, you don’t understand, or no, you won’t do it?”

“I won’t do it.”

She was still a minute then crushed the cigarette out on the arm of the chair, jabbing it in clumsy rage.

“Bastard.” She had an idea and looked up in hope. “I’ll let you have the scoop. Make it an exclusive.”

“I already have the exclusive.” I gestured around me. “And I’ll make a lot more money off you if you stay alive.”

“Is that why you won’t do it? ‘Coz I promise you, from here on in, Nat, I’m staying clean—”

“Actually it isn’t.” I cut her off. “Well, not much anyway.” I grinned, but the humour escaped her. “The main reasons I’m saying no are—one, your dad probably has this place bugged.” She raised her eyebrows. Thick, dark and expressive, they said it all. “OK, he’s listening at the door with a glass, more likely. Coz let’s face it, while your dad has the best intentions, he’s not exactly a pro.” That raised a smile.

“He’s a fucking amateur,” she confirmed. “Crap.”

“Two.” I paused. How best to put this? “I have kids,” I said at last. “Two girls—ten and thirteen.” Again with the eyebrows. “Hopefully they’ll never get themselves into the mess you’re in—they’ve no talent, no looks, and nothing but stubborn pig-headedness to see them through—although come to think of it, bar the talent, that’s pretty much like you.” I grinned again. She’d always needed the best angles I could get her. “I don’t care if they never amount to anything much, so long as they use what they’ve got, don’t fuck up more than average, and are happy. But if they did fuck up, as badly as you have, I wonder if I’d be brave enough to do what your dad’s doing. Because without him, babe, you won’t be dying in here, you’ll be dead out there, fact.” I leant into her face and lowered my voice. “Face it, kiddo, this is your last chance, so why not let him help you? What really, do you have to lose?”

She was silent a while then said: “Which one do you like best?”

“What?”

“Your daughters. Which one do you prefer?”

“Christ! Neither. I like them both just the—” But then I realised I’d never thought about it. “I’ve never thought about it,” I said.

“So. Think about it.”

“Well.” I considered. “I get on easiest with Lauren. She’s like her mum, sussed and low profile. Doesn’t cause me much grief.” I thought some more and had a revelation. “Actually, I guess she’s pretty good at wrapping me round.” I waggled my little finger. “Lets me think she’s doing what I want, whereas in fact…” I trailed off, seeing it in my mind’s eye. It was time her mother and I had a talk. “Whereas Kitty and I fight all the time.”

Jessie looked up, interested.

“She never does what I tell her to, always argues, always answers back. She’s a smart arse, basically, like you. And yet…”

“And yet?”

“We have more fun together, too. She’s a doer, Kitty, always in the thick of things, the thick of life—even if it’s a blazing row.”

“So you love her best?”

“I think I love her more fiercely,” I admitted slowly, wondering if I’d just damned my soul. “But no-one would guess it. Lauren’s the one they’ve always called daddy’s girl.”

“Huh.”

She didn’t say anything after that. She lit another cigarette and sat staring into the fire, the ash growing down to the filter then falling off in little jerks as her hand shook. It was only then I remembered about Anna. So that was what this was all about. I didn’t say anything though. Instead I slowly reached for my camera, trying not to break her mood. Her face like that, so sad and introspective, would make a great shot.

She started at the sound of the shutter, but didn’t seem pissed off. Instead she said: “Pretty tame, huh, compared with lately.”

“Variety is the spice.” I took a few more photos since she didn’t seem to mind, but there was no more conversation and I got the impression she was far away. The shaking was getting worse too, heralding in her next methadone fix or vomiting session—whichever way she was doing this—and suddenly I didn’t want photos of that anymore. The photos I’d just taken seemed so much better, so much closer to capturing her depth. They were more like the work I used to do, work that needed craftsmanship, maybe even a little skill—photos that needed me to use what I’d got.

When I was done, I put the camera down and went to get her father.

“Come back,” she said as I opened the door.

I went over to her, not sure what she meant. Behind me, I could hear the sound of someone coming down the stairs.

“Come back and see me. Please. You understand things. You’ve seen…You and me, Nat—we’re old friends.” She stopped and tried to get out another cigarette. She was shaking so much now I did it for her, then lit it. “Christ,” she said, sucking on it in gasps. “I’m a mess.”

“You noticed.”

“I’ll go mad,” she said, looking suddenly trapped and wild. “If I can’t talk to someone outside that sanctimonious pig and dad…Please Nat, please.”

“I’ll come back,” I told her. “I promise. As long as you hang on in there, Jessie, I’ll hang on in there with you. Deal?”

Her eyes opened wide, hope flaring in the dark pit of her pupils. “Deal,” she said.


“Old friends?” We’d been traveling for an hour and it was the first thing her father had said to me. “Old friends?”

“Sure.” I tried to make it easier for the guy. “I can even remember her last words of friendship. Something like: ‘Fuck off you wanker, before I shove your camera up your fucking arse.’”

We laughed.

“She always did have a mouth on her.” His smile grew fond before trailing off. “But you will come back?” he asked. “You’ll see her through?”

“The thing you have to understand about me,” I told him, “is that I always see things through.”


I went back two days later—dropped the kids off at school then never went home. Ella was used to me taking off, and none of the others would be working or watching me at that time of day; all the stars were either still in bed or at the gym.

Spring had arrived for real, the air crisp and sunny with a pale watercolour sky, everything clear and in focus as I drove past—sycamore buds, road kill, daffs waving on the slopes above the hard shoulder. I hadn’t done landscapes for years but found myself looking for camera angles, tempted to stop and play with such perfect light. Now that I had caught up on sleep there finally seemed room in my brain for other ideas than just grabbing the next scoop. They were stupid arty-farty ideas, guaranteed not to bring in a penny, but they kept me occupied and it made for an easy drive. I didn’t snap out of it until I got there, dying for a coffee and wishing, too late, that I’d stopped at a service station before coming off the motorway. Somehow I doubted Jessie would be the perfect host.

John let me in, a weedy guy with a sandy beard, just like you’d imagine. He nodded hi, then went back upstairs and I went through to the kitchen.

Jessie was sitting in the same chair as before, huddled in the same old blanket, fire burning despite the warm day outside. The only sign of change was her clothes, the red jumper of Sunday replaced by a lemon yellow that did nothing for her skin. As I sat down she reached out a skinny arm and handed me a piece of lined paper.

“Here,” she said. “Read this.”

It was dog-eared and scrawled but the message, once I’d picked it out, was clear.

“Hmm,” I said, handing it back. “Strong stuff.”

“I’m calling it Daddy’s Little Girl.”

“Yeah, I got the picture. How does the tune go?”

She hummed me a melody, beating out the counter rhythm on the arm of her chair. Even raw like that, it sounded good. There was an acoustic guitar in the far corner of the room, dusty from lack of use.

“Here,” I handed it over. “Try with this.”

She stared at me.

“Come on.” I was fairly sure I knew what I was doing. “You’re hardly shaking today—you could strum something basic. Or make it all staccato, what the fuck. It’s only me and what do I know?”

“True.” She took it with a grimace and settled it on her knees, fumbling at its weight.

Half an hour later she’d got the basics down pat and I’d got a fantastic set of photos: Jessie Payne working on a song; Jessie Payne thinking, trying things out, lost in concentration. Jessie Payne alive, doing something other than scrambling around on all fours with no clothes on. They wouldn’t sell of course, not in the same way as my usual stuff, but I still felt good about them. There’s something about having time to work, to think, to catch a person in the process, so that the shot shows them centred in their activity…I’d been taking snapshots for so long, snatching startled faces and five-second poses, that I’d forgotten how it felt to be a part of something more than grab and run.

I left soon after. Half an hour is a long time for a drying out junkie and a discordant twang on the guitar signaled her concentration slipping down the scale. She swore in frustration and threw the guitar to the ground with a force that made me glad it wasn’t aimed at me. I called for John, hoping that he wasn’t as weedy as he looked, and headed for the door. It was what he was paid for, after all, and I still hadn’t had my coffee.


I came up a couple more times that week, getting some good shots each visit. Not of the hissy fits so much—they were old hat—but the stuff that came afterwards, that normally went on behind closed doors. The pictures of her weeping like a baby, exhausted and all used up, despair etched deep into her face. The second lot, when her dad was there, were even better. He gave his permission gladly, thinking I was capturing moments of their growing bond. He didn’t understand that what I actually got was their fragility—of them both failing at the happy families game—giving themselves away with brittle movements, fumbled touches and wide nervous eyes.

These were proper photos, pictures that told a story, and if I hadn’t been a pap—if I’d been an ‘artist’ with a double-barreled name, Saatchi would have paid proper money to hang them on his wall. As it was, I knew they wouldn’t sell. I seemed to have got caught up in something outside my market and altogether different from my usual scoop. Sure, I’d got enough for a decent exclusive and would get a decent fee, but I’d lost my joy of that initial session—that sense of doing what I was meant to do. Instead, back in my dark room, surrounded by prints of Jessie Payne, I felt a growing sense of waste. Here she was, the real person behind the image, and no-one really gave a shit.


Things got worse on Friday night. We’d finished eating, the kids had gone upstairs to their Facebooks or whatever they did these days, and we were lingering at the table over a bottle of wine when I told Ella I might stay away for the weekend.

“No,” she said.

“What?” She’d put up with my coming and going for so long, never saying a word, that I couldn’t quite believe my ears.

“Look,” she spat out the word. “Staying away all hours to shoot the stars is one thing. It’s your work. I don’t like it, but it goes with the job. But you’re not doing that any more. You’re not doing anything anymore as far as I can see, except wandering around like the cat that’s got the cream. The weekend is the kids’ time and you are not—” she stopped and I realised she was close to tears. “You are not…” She took a deep breath. “If you’re going to have an affair, you are not having it at the kids’ expense.”

I burst out laughing. When I’d finished, I held my hand out across the table. She slapped it away.

“Look, honey—”

“Don’t you honey me.” Her face had a tight, fragile look I hadn’t seen since the bankruptcy and I realised she was serious. For a moment I was furious—how could she think that of me? Then I realised how things must look from her perspective and the energy ran out of me. How could she not, given the way I’d been carrying on? What other woman would have given me half the leash?

“Ella.” I sighed, shook my head, and made up my mind. Some secrets could be kept too long. “Come on up to my darkroom.,” I said. “There’s pictures there I guess you need to see.”


A picture may be worth a thousand words, but Ella wanted explanations and by the time she’d finished with me it was two in the morning.

“Nat,” she said, once I’d told her everything. “Nat, Nat, Nat…”

The sigh that followed was deep, but not completely discouraging and I watched her closely, trying to gauge which way she might turn. I was fairly sure she believed me, but whether kidnapping and blackmail would strike her as better than an affair or not was a close call.

“So?” I asked, when she didn’t say anything. “What d’you reckon?”

She shook her head and got up, manoeuvring herself out of the black leather la-z-boy I still hadn’t paid for.

“I reckon it’s time for bed.”

“Oh.” I hesitated, wondering whether to push my luck. “And tomorrow?”

“Tomorrow,” she pursed her lips and a look glinted in her eye. It was not a look to be messed with. “Tomorrow we are both going to see Jessie Payne.”


In the end we all went. We couldn’t leave the girls alone all day and dumping them on friends would have needed explanations. Besides, I reckoned they were of the age when seeing a strung out smack head would probably do them good. I knew Wainwright wouldn’t like it, but when it came to facing down him or Ella…well, no contest.

The girls were stroppy at first—Kitty sulking over a missed football practice, Lauren complaining she wanted to go shopping with her friends. Anything, they made clear, would have been better than wasting a day with their parents.

Once we were on the road though, and I’d filled them in on the details, their contempt turned to a fascinated disgust.

“Will she puke up while we’re there?” Kitty asked.

“Yuck.” Lauren hadn’t thought of that. “Gross.”

“If she does, I swear I’ll be sick, too. I mean—”

“If she’s too ill to see us, we’ll leave,” Ella cut in, using her ‘that’s enough’ tone.

Kitty thought about it, then said, “But won’t she want someone to stay with her? I mean, when I had that food poisoning, mum, I was really glad to have you around.”

Ella’s lips twitched. Praise indeed. I tried to remember when Kitty was ill.

“Jessie’s got a sort of nurse,” I told her, “and her dad. They’ll take care of her if she needs it.”

The thought of other people turned them shy, both of them quieting down as I pulled into the driveway and hanging back as we walked up to the door. Ella didn’t look too comfortable either and I realised just how much courage it was taking for her to be there.

I took her hand—this time she let me—and knocked on the door.

I’d been hoping Jessie’s dad would be away, that I’d only have to deal with the silent John—so of course it was Wainwright who answered, the welcome on his face freezing into astonishment as he saw the others.

“Mr. Wainwright.” I decided to brazen it out. “I’d like to introduce you to my wife—Ella Smith—and my two daughters. Lauren, Kitty, this is Jessie Payne’s dad.”

The girls muttered small hellos while Ella stuck her hand out.

“Mr. Wainwright.” She mustered a smile. “Thank you so much for letting us come.”

“I—er—well…”

She shot me a look. “You didn’t ask him?”

I shrugged. Like that would have worked.

“I am so sorry.” She shook her head and turned to leave. “Come on, girls. Wrong place, wrong time.”

“M-u-m.” They both chorused their resistance, shyness forgotten as she tried to bundle them back into the car. Wainwright put his hand up, flustered.

“No. Wait.” He glanced back into the house then made up his mind. “You’ve had a long drive. At least come in for a cup of tea.”


Jessie was still in the same old chair, wearing a green jumper this time and faded blue jeans.

“Well, well, well,” she said as we trooped in. “What’s this then? The Nat Smith family workshop? Do you all have cameras, too?”

“I’ve got my mobile.” Kitty wasn’t too strong on sarcasm. She got it out as she spoke, to show Jessie.

“No photos,” I said.

“Dad.” She turned to me with that stubborn look I knew too well. “You take photos.”

“What I do—”

“You tell him, kiddo,” Jessie interrupted. “Why should he get all the fun?” She lifted her skinny arms into a model’s pose. “Come on—let’s see if you’ve got any of your old man’s talent.”

“Dad’s got talent?” Kitty looked at me uncertainly and Jessie burst out laughing, a harsh staccato that quickly turned to a hacking cough.

“He’s only one of the best,” she said when she’d recovered. She turned to sip some water from a glass on the mantelpiece and Kitty shot me another look, this time impressed. When Jessie struck her pose again, Kitty walked forward, lifting her phone obediently.

Lauren edged closer to me and glanced up— shorthand for ‘what about me?’ Jessie caught the movement and gestured for her to come and join them. Then, when they were lined up before her she stared at them both, her eyes flicking from one to the other, narrowing in concentration.

My guts clenched in fear as I realised what she was doing. She was remembering what I’d told her—and now she was going to give me away.

“Right.” I said. I didn’t know what to follow it with—anything to break the moment—but before I could say more Jessie turned her gaze on me.

“Wrong,” she countered. Her eyes seemed calmer today, I noticed, more in control. “Relax, Nat. No worries.” She smiled and winked, suddenly almost pretty. “No worries at all.”

Turning back to Lauren, she picked up the guitar now leaning against her chair, and held it out. “Can you play?”

Lauren shrugged. “No.”

“Come on, then.” Jessie jerked her head to invite her closer. “I’ll teach you.”

We watched for a few minutes as they settled in, then when things seemed to be going smoothly, Wainwright remembered his invitation. “Tea!” he exclaimed as though it were a big deal, and rubbed his hands together. “I’ll put the kettle on.”

“Nat can do that,” Ella suggested, throwing me a look. “I was wondering, Mr. Wainwright, if you and I could have a talk?”

“Oh,” he said. “Sure. That is, I’ll just…” He looked at me, checking my reaction. I smiled back.

“Go ahead,” I said. “No worries,” And suddenly I felt almost giddy with lightness, at knowing she was back there by my side. “No worries at all.”


After that it became a regular thing. I never left the girls with Jessie for long and never alone, but she was generally patient with them, letting them pester her for songs and anecdotes and showing them chords on the guitar. When she’d had enough, Ella would take them off to Chipping Sodbury, while I sat down and listened to her rambles. Or sometimes, increasingly, I took the girls and Ella stayed. She and Ella seemed to get on fine. In fact, Jessie seemed to be getting on fine, her body gaining a little strength, her eyes beginning to sparkle instead of glitter. Meanwhile, I was clicking away in the background, capturing it all, building up far more photos than I’d ever sell.

“You should write a book about her,” Ella said after we’d got back one night, the girls in bed, us following on their heels.

“Me?”

“Why not? You can write, can’t you?”

“I can’t even spell.”

“Well, I could do that for you.”

I looked at her. “What are you saying?”

She hesitated then met my eyes. “I’m saying, Nat, that maybe it’s time to move on. You’ve got a book’s worth of pictures from this thing—and those pictures tell a story, you know they do. A story worth telling. Why not add the words and make it happen?”

“Jeez.” I didn’t know what to say. Half of me was thinking it was impossible, that people like me didn’t do things like that, the other half was taking off. I imagined the words to Daddy’s Little Girl surrounded by the photos I’d taken when she first played it. We could put Thomas Wainwright and her together on the cover—that was it, the title—Daddy’s Little Girl: A father’s fight to save his child. I could even co-write it with Jessie—my observations, her turn of phrase—she was the artist, after all. It would give her something to do whilst regenerating a few brain cells. Shit, if the tabloids could do it, how hard could it be?

“You’re a genius,” I told her.

She sighed. “Fifteen years of marriage and you’ve only just noticed.”

I kissed her. “You realise you’re never going to get away from me now.”

This time her sigh ran deeper. “I don’t want to, Nat. Not really.” She kissed me back. “We’ve had some hard times, eh? We’ve been stretched so thin…” She broke off.

“Maybe they’re behind us now?” I suggested, pulling her close. “Maybe it’s just good times ahead, happy ever after.”

“I hope so, Nat,” She brought her hands round my back and turned her face up for another kiss. “I really do.”

The kiss turned into something more and I kicked the bedroom door shut, suddenly wide awake. Things hadn’t been like this for far too long.

Sure I wanted happy ever after. So did Jessie. So did her father. So did the whole fucking world. But for tonight I’d take what I got and be happy with it, trusting that if we all muddled along, making the most of what we’d got—somehow, sometime, things would work out.

 

# # #

Daddy's Little Girl by Finn Clarke
originally published in the Winter 2011 print edition

 

 


Finn Clarke has duel Canadian and British citizenship and juggles her time between the two countries. She has been short-listed in various competitions including Fish and The New Writer, and her stories have been published in magazines such as The Storyteller, Descant and carte blanche, as well as Britain’s ‘Save our Short Story’ anthology Endangered Species, edited by Val McDermid. Her first collection of short stories, Grim Tales of Hope, was published in December 2008 and she is currently writing a psychological thriller.

For more of Finn's work,
visit her Big Pulp author page

 

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Big Pulp Winter 2011:
Interrogate My Heart Instead

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